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Letter from Charlotte Cushman to Sarah Josepha Hale, Sep 22, 1830
Harold Moulton sends photostatic copies of two autographed letters to Lorenz in this correspondence. For the transcription of the second letter, see Item 1020.The first letter is from Charlotte Cushman to Mrs Sarah J. Hale, Editor of “Lady’s Book”…
Tags: public image (active), publicity
Record of the Metropolitan Fair in Aid of the United States Sanitary Commission Held at New York in April 1864
The excerpt praises Cushman's performance of "Macbeth" together with Edwin Booth retrospectively""It was perhaps the most memorable of all the public performances given to the Sanitary Commission."The record ispublished in 1867, three years after the…
Daniel Holmes's Journal History of a Young Lady (1848-1851)
The following information is provided by the Boston Athenaeum:"Journal describing his life as a merchant in New Orleans, and his young family, particularly the development of his first daughter, Georgine, and the birth, illness, and death of his…
Letter from Charlotte Cushman to Mary Cushman, Apr 17, 1845
The letter discusses an incident of "beastly conduct of a woman" who Charlotte once defended and called her "intimate friend." Charlotte fears being "implicated by any misrepresentation of hers." Charlotte hopes that her mother's "account was a…
"Charlotte Cushman's First Appearance in England," Harper's Bazaar, March 18, 1876
James H. Siddons gives a very intimate account of Charlotte Cushman's rise to success in England and describes her struggles and strategies, including a press network and behind-the-scenes accounts.
Maddox is characterized as a capitalist,…
"Our Sanitary Fair in Rome," The Methodist, Apr 2, 1864
The preparations of the Sanitary Commission are highlighted. The article praises American artists in Rome, among who Cushman and Stebbins can be found, that contribute to raising money in a patriotic manner. The article names Emma Stebbins and…
Tags: Civil War, press coverage, public image (active), Rome
Copied Correspondence by Harold Moulton sent to Jennie Lorenz, Sept 25, 1950
Harold Moulton sends photostatic copies of two autographed letters to Lorenz. Lorenz requested material relating to Charlotte Cushman.The first letter is from Charlotte Cushman to Mrs Sarah J. Hale, Editor of “Lady’s Book” (Philadelphia). Cushman…
James Parton's Eminent Women of the Age (1869)
Eminent Women was written by James Parton, Horace Greeley, T.W. Higginson, J. C. Abbott, William Winter, Theodore Tilton, Prof. James M. Hoppin, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, and others that are not listed.Greeley founded the New…
Cushman's first professional appearance as Countess Almaviva in The Marriage of Figaro, April 1835
On April 8, 1835, Cushman made her debut on the stage at the Tremont Theatre in Boston in the role of Countess Almaviva in The Marriage of Figaro. While Cushmam's performance seemingly betrayed her nerves, contemporary reviews praised her…
Boston Daily Advertiser, Charlotte Cushman, Feb 19, 1876
The article is an obituary published one day after Cushman's death. It praises the actress and her achievements and performances. Additionally, it speaks about Cushman's relationships with women as her "power of attaching women to her."In 1871,…
Wemyss's Twenty-Six Years of the Life of an Actor and Manager (1847)
Francis Courtney Wemyss is an actor and theater manager. The entry for Cushman envisions her as a business woman that cleverly paved her way to success by acquiring knowledge about the profession of an actress and the respective people involved in…
Edmund Burke Fisher
Fisher works as an editor and writer, for the New Yorker among others. He regularly presents himself as an admirer and suitor of Cushman. He actively shapes her career by facilitating business contacts and expanding Cushman social capital.
Final New York Performance on Nov 7, 1874
Charlotte Cushman performs for Booth's Theater in New York for the last time. She acts as Lady Macbeth on stage together with George Vandenhoff among others.
Credit
Newspaper.com(article only attached as illustration)
Letter from Anne Whitney, Mar 23, 1869
Anne Whitney's letter offers another perspective on Harriet Hosmer's participation in fox hunts in Rome and the rift this caused with Charlotte Cushman (see also Merrill 236). Whitney tells the recipient about an English woman who frames Hosmer's…
Mrs. Walker's Reminiscences of the Life of the World-Renowned Charlotte Cushman (1876)
The biography traces Cushman's successful career and mentions many business partners and friends. However, it excludes every references to Cushman's same-sex relationships. It is published after Charlotte Cushman's death.The Cushman-Macready-…
Stillman's The Autobiography of a Journalist (1901), Vol. 1
Charlotte Cushman is mentioned on pages 359-365.Cushman and her "clique" (365) included Miss Stebbins, Harriet Hosmer, "and one or two others of lesser fame" (359).He states that she used her fame or even Stillman (critic) to denounce other sculptors…
Letter from Emma Stebbins to Emma Crow Cushman, Nov 23, 1874
Stebbins writes that the newspapers have been writing "exaggerated reports" about Cushman, which have been causing her great anxiety. An unfavorable paragraph about Cushman will appear in the Cincinnati Enquirer the following morning, which they have…
Accounts of Charlotte Cushman's Life, Notes by Stebbins
This document is a collection of different quotes given by Charlotte Cushman before her death. It is supposedly written by Emma Stebbins and ranges from family history, childhood experiences, financial struggles, to early career ambitions and…
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Charlotte Cushman
Charlotte Cushman becomes widely known on both sides of the Atlantic as the first successful US-American actress. Earlier, she was a singer under the tutelage of James G. Maeder, married to actress Clara Fisher, in Boston. Charlotte has been the sole financial support of her mother since her father…