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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="5">
                <text>Cushmania</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cushman, Charlotte Saunders, 1816-1876</text>
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                <text>Stebbins, Emma, 1815-1882</text>
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                <text>Gossip--Published</text>
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                <text>Gossip--Private</text>
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              <elementText elementTextId="13196">
                <text>Relationships--Networks</text>
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                <text>Italy--Rome</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;A collection of archival material (letters, diaries, articles, auto/biographical accounts) collected from different archives (cf. &lt;a href="https://www.archivalgossip.com/sources/archives/"&gt;list&lt;/a&gt;) that showcase the life of Charlotte Cushman, one of the most successful US American actresses of the nineteenth century.&lt;/p&gt;&#13;
&lt;p&gt;We invite you to either look for specific items via the tag cloud at the bottom of the page or the search function at the top, &lt;a href="https://archivalgossip.com/collection/items/browse?collection=1" target="_blank" rel="noopener"&gt;browse all items&lt;/a&gt; in this collection, or explore thematic compilations of selected items in our "&lt;a href="https://archivalgossip.com/collection/exhibits" target="_blank" rel="noopener"&gt;Exhibits&lt;/a&gt;."&lt;/p&gt;&#13;
&lt;h6 style="text-align: center;"&gt;&lt;a href="https://archivalgossip.com/collection/files/original/c4226e025914fe32ca1542c728bd11cc.JPG"&gt;&lt;img title="Item Locations" alt="Item Locations" src="https://archivalgossip.com/collection/files/original/c4226e025914fe32ca1542c728bd11cc.JPG" style="display: block; margin-left: auto; margin-right: auto;" width="349.5" height="237.5" /&gt;&lt;/a&gt;(&lt;a href="http://hdlab.stanford.edu/palladio/"&gt;Palladio&lt;/a&gt; visualization, Dec 2021: location of items in collection, size nodes)&lt;/h6&gt;&#13;
&lt;h6 style="text-align: center;"&gt;&lt;a href="https://archivalgossip.com/collection/files/original/44bccce1e23bf9efe34d0078d3cc97f0.JPG"&gt;&lt;img title="Item Locations" alt="Item Locations" src="https://archivalgossip.com/collection/files/original/44bccce1e23bf9efe34d0078d3cc97f0.JPG" style="display: block; margin-left: auto; margin-right: auto;" width="349.5" height="324.5" /&gt;&lt;/a&gt;(&lt;a href="http://hdlab.stanford.edu/palladio/"&gt;Palladio&lt;/a&gt; visualization, Dec 2021: letter correspondence for items&lt;br /&gt;that have values defined for "location sender" AND "location recipient," size nodes)&lt;/h6&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Library of Congress</text>
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                <text>New York Public Library</text>
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              <elementText elementTextId="12">
                <text>Philadelphia Historical Society</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1816-00-00/1920-00</text>
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    <name>Article</name>
    <description>A resource consisting primarily of words for reading. Text that is part of a magazine or newspaper. The article may include other formats such as images.</description>
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        <name>Provenance</name>
        <description>What is the source of the piece of information, where is it derived from? E.g. archive (e.g. scans), research notes by a someone who had access to archival material, published (e.g. in an edited version) , citation (e.g. cited in secondary literature)</description>
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            <text>&lt;a href="https://timesmachine.nytimes.com/timesmachine/1875/09/06/79092350.html?pageNumber=1"&gt;https://timesmachine.nytimes.com/timesmachine/1875/09/06/79092350.html?pageNumber=1&lt;/a&gt;. Accessed 15 Sep 2021.</text>
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        <name>Location</name>
        <description>The location of the interview</description>
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          <elementText elementTextId="11853">
            <text>NYC, NY, US</text>
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        <name>Geocode (Latitude)</name>
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            <text>40.7127281</text>
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        <name>Geocode (Longitude)</name>
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          <elementText elementTextId="11855">
            <text>-74.0060152</text>
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        <name>Length (range)</name>
        <description>Length of document (word range), e.g. &gt;150, 150-500</description>
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            <text>&gt;1500</text>
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        <name>Text</name>
        <description>Any textual data included in the document</description>
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            <text>We did not see much of London theatricals, being usually, when night came, too much satiated with aristocratic display and royal splendor to care to see high life through the Dundreary of Soethern, or majesty through the Italian-Dane of Salvini. As for the opera, it was a pastime for gods and grandees. There was a splendid constellation of lyric stars to be seen almost any night--Patti, Titiens, Nilsson, Thalberg, Alabni--but their notes were worth their number in pearls. One night we snatched a costly pleasure, "the freedom of paradise in a box," and were thrilled and uplifted by the divine singing and glorious passion of Patti in the "Huguenots." One night we squaudered on "The American Cousin"--which we had seen or heard of everywhere in America for the last ten years--which is always dreary but never done--I mean the Yankee part, the melancholy caricature of &lt;em&gt;Asa Trenchard&lt;/em&gt;. As for the titled idiot of the piece, with his preposterous coats, his proverbs, his eyeglass, and his spring-halt, I confess he makes me laugh, and laugh, and despise myself while I laugh.&#13;
&lt;div style="text-align: center;"&gt;HENRY IRING AS HAMLET&lt;/div&gt;&#13;
At the Lyceum we saw the new popular representative of "Hamlet," Henry Irving, in one of the last of his 200 consecutive performances of that character. In creating a great sensation in London, this gentleman has equaled in his way, Edward Irving, the preacher, who was a fine actor in the pulpit, while this actor seems like a preacher on the stage; at flesh, at least, he having a grave and austere countenance, a thin and angular figure, and a voice at times sepulchral in its solemnity. There is extraordinary power in the man, doubtless--thousands of admiring voices attest it; but I must say that he did not powerfully move me, except in one or two points, which were evidently not among his conscious and premediated &lt;em&gt;tours de force&lt;/em&gt;. He is less formal than Booth, less melodramatic than Fetcher, but he lacks the princely dignity of the one, and the great reserves of passion of the other. [...]</text>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Greenwood's "Notes from over the Sea," &lt;em&gt;New York Times&lt;/em&gt;, Sep 6, 1875</text>
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          <description>The topic of the resource</description>
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              <text>Lippincott, Sara Jane (pseudonym: Grace Greenwood), 1832-1904</text>
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              <text>Actors and Actresses--English</text>
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              <text>Travel Reports</text>
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              <text>England</text>
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              <text>Praise</text>
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          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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              <text>&lt;a href="https://www.nytimes.com/"&gt;New York Times&lt;/a&gt;</text>
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          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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              <text>H.J. Raymond &amp; Co.</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>1875-09-06</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Greenwood writes this note in Lucerne, on Aug 15, 1875. She reviews some performances she witnessed in England during her travels. She mentions Henry Irving, Isabel Bateman, and Salvini.</text>
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          <name>Creator</name>
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              <text>Lippincott, Sara Jane (pseudonym: Grace Greenwood), 1832-1904</text>
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          <name>Type</name>
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              <text>Reference</text>
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          <name>Identifier</name>
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              <text>0829</text>
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      <name>travel/touring</name>
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