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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cushmania</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cushman, Charlotte Saunders, 1816-1876</text>
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                <text>Stebbins, Emma, 1815-1882</text>
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                <text>Gossip--Published</text>
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                <text>Gossip--Private</text>
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                <text>Relationships--Networks</text>
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                <text>Italy--Rome</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;A collection of archival material (letters, diaries, articles, auto/biographical accounts) collected from different archives (cf. &lt;a href="https://www.archivalgossip.com/sources/archives/"&gt;list&lt;/a&gt;) that showcase the life of Charlotte Cushman, one of the most successful US American actresses of the nineteenth century.&lt;/p&gt;&#13;
&lt;p&gt;We invite you to either look for specific items via the tag cloud at the bottom of the page or the search function at the top, &lt;a href="https://archivalgossip.com/collection/items/browse?collection=1" target="_blank" rel="noopener"&gt;browse all items&lt;/a&gt; in this collection, or explore thematic compilations of selected items in our "&lt;a href="https://archivalgossip.com/collection/exhibits" target="_blank" rel="noopener"&gt;Exhibits&lt;/a&gt;."&lt;/p&gt;&#13;
&lt;h6 style="text-align: center;"&gt;&lt;a href="https://archivalgossip.com/collection/files/original/c4226e025914fe32ca1542c728bd11cc.JPG"&gt;&lt;img title="Item Locations" alt="Item Locations" src="https://archivalgossip.com/collection/files/original/c4226e025914fe32ca1542c728bd11cc.JPG" style="display: block; margin-left: auto; margin-right: auto;" width="349.5" height="237.5" /&gt;&lt;/a&gt;(&lt;a href="http://hdlab.stanford.edu/palladio/"&gt;Palladio&lt;/a&gt; visualization, Dec 2021: location of items in collection, size nodes)&lt;/h6&gt;&#13;
&lt;h6 style="text-align: center;"&gt;&lt;a href="https://archivalgossip.com/collection/files/original/44bccce1e23bf9efe34d0078d3cc97f0.JPG"&gt;&lt;img title="Item Locations" alt="Item Locations" src="https://archivalgossip.com/collection/files/original/44bccce1e23bf9efe34d0078d3cc97f0.JPG" style="display: block; margin-left: auto; margin-right: auto;" width="349.5" height="324.5" /&gt;&lt;/a&gt;(&lt;a href="http://hdlab.stanford.edu/palladio/"&gt;Palladio&lt;/a&gt; visualization, Dec 2021: letter correspondence for items&lt;br /&gt;that have values defined for "location sender" AND "location recipient," size nodes)&lt;/h6&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Library of Congress</text>
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                <text>New York Public Library</text>
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                <text>Philadelphia Historical Society</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1816-00-00/1920-00</text>
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    <name>Letter</name>
    <description>A resource containing textual messages sent from one person to another or one person to many people.</description>
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            <text>&lt;p&gt;Dearest Babbie&lt;/p&gt;&#13;
&lt;p&gt;It will be one way of bringing “good out of evil” to occupy a part of this extremely wet day in writing to you. When the weather is at all &lt;i&gt;gait-going&lt;/i&gt; at present, my time is cut up into shreds in the saddest manner— First the Paulets look for me, naturally, in Hanover Street,—not forming in their innocent minds, I believe, the least conception of the exertions I have to make and the things I have to leave undone in &lt;i&gt;rendering myself&lt;/i&gt; there almost every day—just consider—it takes me an hour to go another hour to return—and allowing myself on the average an hour to stay—there goes the whole heart out of my &lt;i&gt;Before-dinner!&lt;/i&gt; to say nothing of the physical fatigue which, some days, when I am not up to much, runs away with my evenings also, as I can do nothing after coming in but sprawl on the sofa— However &lt;pb&gt;now that the operation is over, and the eyes going on Alexander says “in the most &lt;i&gt;splendid&lt;/i&gt; manner,” there is a prospect of M&lt;i&gt;rs&lt;/i&gt; Paulet being able to get off here occasionally—and at all events their case is not so much in need of the sympathy and attentions of friends as hitherto. The operation was only performed on saturday week—the last four days of delay being caused by the poor little man himself having gone bang against an open door, with one eye, and so long as it was ever so little swelled; it was not judged safe to meddle with it. The pain appears to have been insignificant, he &lt;i&gt;counted aloud&lt;/i&gt; (at Alexander’s desire) all thro’ it— Nor has he suffered much from smarting or itching since,—but he is very low and sorrowful, thro’ a fortnight of spoon-meat!— The bandages were removed last Thursday but he is not allowed to open his eyes yet—indeed the process of opening them is so painful that he is not tempted to try— I hope he will soon be quite recovered and, above all things, following his business again from nine of the morning till seven at night!— I do not believe Betsey ever knew till now how thoroughly and irretrievably married she was! Having him to &lt;i&gt;listen to all day long&lt;/i&gt; is a dreadful strain on anyone’s spirits—tho he &lt;i&gt;is&lt;/i&gt; a kindhearted man as need be—“and not a fool”—&lt;/pb&gt;&lt;/p&gt;&#13;
&lt;p&gt;Meanwhile Julia has &lt;i&gt;come out&lt;/i&gt; poor Child! with a proviso that she is to &lt;i&gt;go in&lt;/i&gt; again on her return home— She has been to two Balls and is going to a third this week!—nay, she has had an &lt;i&gt;anonymous bouquet&lt;/i&gt; sent her after one of them! A number of relations of M&lt;i&gt;rs&lt;/i&gt; Newton’s have turned up for them here—rich people who give Balls and all that sort of thing—and Julia, not being tied at home like her Mother takes the good the Gods have provided her—with a certain composure of soul that is really edifying. I saw her get herself dressed for one of these Balls—such a “rough and ready” dressing as I never assisted at! M&lt;i&gt;rs&lt;/i&gt; Paulet had bought a quantity of thin muslin in the forenoon and whipt it up into a frock—fitting better or worse— This was put on her with about as much nicety as one would bestow in mounting a “&lt;i&gt;straw-boggle&lt;/i&gt; [scarecrow]”—and her hair got three &lt;i&gt;strokes&lt;/i&gt; of the brush—and &lt;i&gt;voila tout!&lt;/i&gt;—and I could wager a prettier creature did not take the shine out of her that night! Certainly a &lt;i&gt;calmer&lt;/i&gt; could not be—&lt;/p&gt;&#13;
&lt;p&gt;Old Sterling also takes up much of time—his state does not improve— and it is impossible to refuse to drive with him now when he asks me—he is so utterly desolate on this earth—(that Cast mettle—Anthony still in Rome—his wife I understand gone mad again there) His body is frail enough—but that is nothing to his mind— He often forgets his own name— &lt;pb&gt;the last day we were out he ordered them to “drive home—home to &lt;i&gt;South Place&lt;/i&gt; you know”—South Place having been no home of his poor old soul these two years!&lt;/pb&gt;&lt;/p&gt;&#13;
&lt;p&gt;Plattnauer was very crazy some weeks ago—but is considerably subsided again— I suppose he will continue off and on in this sort of fashion to the end of his life. Mazzini does not go mad—but I do not know whether it would not be better for him if he could,—these long many years of failed hopes and destroyed illusions seem to be taking effect on him—not on his health—or sanity—but on his &lt;i&gt;temper&lt;/i&gt;—he is grown so &lt;i&gt;captious&lt;/i&gt; and &lt;i&gt;silently irritable&lt;/i&gt; that one knows not what to make of him—every word one says provokes a contradiction or a reproach—and it does not help the matter that like Geraldine he &lt;i&gt;torments me simply because he loves me so much&lt;/i&gt;— I prefer peoples love for me should &lt;i&gt;stop&lt;/i&gt; just at the point where it becomes &lt;i&gt;tormenting&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;Geraldine by the way is all in a blaze of enthusiasm about Miss Cushman the Actress—with whom she swore everlasting friendship at Manchester just when she had got jealous of me and M&lt;i&gt;r&lt;/i&gt;s Paulet— Ever since her letters [Jewsbury's] have been filled with lyrics about this woman [Cushman]—till I could stand it no longer—and have written her such a screed of my mind as she never got before—and which will probably terminate our correspondence—at least till the finale of her friendship for Miss Cushman. Lady Harriet returns to &lt;pb&gt;town on the 2&lt;i&gt;d&lt;/i&gt; of &lt;date&gt;February&lt;/date&gt;— Meanwhile she writes me very nice letters— Lady Ashburton sent me a huge pot of honey the other day and some game and a kind little note—so that I do not seem at all events to have kicked the bottom out of my ‘new position’ &lt;i&gt;yet!&lt;/i&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/pb&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the rest; Carlyle is in quite as fine a worry with his second edition as he was with the first—is moreover of &lt;i&gt;unsettled&lt;/i&gt; mind again—our stay at Alverstoke awakened all his enthusiasm again for country life—and horror of London— He talked of building a house on the shore—but there was a hideous man who went about shooting—without his nose—and after encountering him some twenty times Carlyle discovered that it would be impossible for him to live where he was liable to meeting that man— “Perhaps poor old Annandale would be the best place after all”—now he says he would like to go to Prussia for a while!— I wish I might know what is to become of me!— &lt;i&gt;that&lt;/i&gt; is &lt;i&gt;all&lt;/i&gt; I pretend to—a modest request!—but with such uncertain views of the future there is no getting any use of the present— Lady Harriet asks in her last letter “will I come to Rome next winter”? and &lt;i&gt;she&lt;/i&gt; always &lt;i&gt;means&lt;/i&gt; every least syllable she says— I am very sorry for that poor Ann Summers—did my Uncle say anything of &lt;i&gt;continuing&lt;/i&gt; help to her from time to time— It is so sad for a proud woman to have to &lt;i&gt;ask&lt;/i&gt; just when she is at her last farthing— I would willingly join him in giving her something regularly—&lt;closer&gt;&lt;salute&gt;love to all Ever yours&lt;/salute&gt;&lt;/closer&gt; J C&lt;/p&gt;</text>
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        <name>Admin Comment</name>
        <description>Comments for further research, pending questions, tasks that still have to be completed</description>
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            <text>one of the footnotes:&#13;
Charlotte Saunders Cushman (1816–76), American actress, notable for the roles of Lady Macbeth, Rosalind, Meg Merrilies, and Nancy in Oliver Twist. She was managing a theater in Philadelphia in 1844 when she met Macready, then touring the U.S. (see 17:74JWC to TC, 21 Aug. 1843, and 88–89TC to WCM, 27 Aug. 1843), and was persuaded to act in London, making her debut, 14 Feb. 1845. She opened at the Haymarket as Romeo with her sister Susan as Juliet, 30 Dec. 1845, performing the play for eighty nights followed by a tour. She stayed in England till 1849, and made several return visits. Jewsbury wrote about her to JWC in Feb.: “You got bored about Miss [Cushman] because I had not skill to tell you of her.” At the same time she wrote, probably in answer to JWC’s “screed”: “I cannot tell the pain you give me when you make any allusion to the past … but so far as I am concerned you are wrong, mistaken. Your compass is turned completely round, and points to nothing right. It is no good your getting up a theory about me. I was born to drive theories and rules to distraction, and I want to beat yours to powder and then stamp upon it” (Ireland 189, 191). Cushman’s biographer calls Jewsbury, who had met her in 1845, “one of Miss Cushman’s earliest friends in England,” and quotes from some of Jewsbury’s reminiscences: “I suppose Miss Cushman was not handsome, but the beautiful, true, and firm gray eyes gave me the impression of beauty, and supplied the lack of it, if it were lacking. To me she always looked beautiful. Her voice, too, was true and real like herself, and of a tone that was very pleasant to the ear. She conveyed the impression of protection and strength. … In Manchester she made many friends, quiet, domestic people, who regarded her with affection and respect. She was noble and generous, and gave help to whoever needed it” (Charlotte Cushman, Her Letters and Memories of Her Life, ed. Emma Stebbins [Boston, 1878] 78).</text>
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        <name>Provenance</name>
        <description>What is the source of the piece of information, where is it derived from? E.g. archive (e.g. scans), research notes by a someone who had access to archival material, published (e.g. in an edited version) , citation (e.g. cited in secondary literature)</description>
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            <text>&lt;a href="https://carlyleletters.dukeupress.edu/volume/20/lt-18460119-JWC-JW-01"&gt;https://carlyleletters.dukeupress.edu/volume/20/lt-18460119-JWC-JW-01&lt;/a&gt;</text>
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        <name>From</name>
        <description>The name and email address of the person sending the email</description>
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            <text>Carlyle, Jane Welsh, 1801-1866</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Letter from Jane Welsh Carlyle to Jeannie Welsh,  Jan 19, 1846 </text>
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              <text>JWC-JW, [19 Jan.]. MS: NLS 1893.1. Pbd: Huxley, JWCLF 261–62 inc.</text>
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              <text>Carlyle, Thomas, and Jane Welsh Carlyle. &lt;i _ngcontent-c4=""&gt;The Carlyle Letters Online&lt;/i&gt; [&lt;i _ngcontent-c4=""&gt;CLO&lt;/i&gt;]. Ed. Brent E. Kinser. Duke UP, 2007-2016, www.carlyleletters.org.</text>
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              <text>1846-01-19</text>
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              <text>Carlyle, Jane Welsh, 1801-1866</text>
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              <text>0468</text>
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              <text>Jane Carlyle writes about her quarrels of jealousy with Geraldine Jewsbury due to Jewsbury's "friendship" with Cushman.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;Credit&lt;/h3&gt;&#13;
&lt;a href="https://carlyleletters.dukeupress.edu/about-project"&gt;The Carlyle Letters Online/CLO&lt;/a&gt;</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Jewsbury, Geraldine Endsor, 1812-1880</text>
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              <text>Cushman, Charlotte Saunders, 1816-1876</text>
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